Showing posts with label Newspapers. Show all posts
Showing posts with label Newspapers. Show all posts

Friday, September 10, 2021

Nightmare in a Cardboard Box: The September 11 Papers

TWENTY YEARS ON and I can still recall everything I did that day.

To be clear from the outset, I was -- relatively speaking -- outside the zone of physical danger, in an office building in midtown Manhattan. "Still too damn close," my cousin in Florida told me that evening. 

So far away, yet close enough to see from an office window the World Trade Center towers burning and then watch from the same vantage point as the top of the north tower, suddenly enveloped by a billowing cloud of smoke, splintered and sank from view.

In 1975 I had the misfortune of being on a road running alongside New York's John F. Kennedy International Airport when an Eastern Airlines jet on final approach from New Orleans got caught in a microburst and crashed just short of the runway, killing 113 people.

Again, in relative terms, I was outside the zone of immediate danger. I still have nightmares inspired by that day. But it was an isolated, discrete, incident and, more importantly, a genuine accident, whereas the events of September 11, 2001 were not.

I'd arrived from work that morning after voting in the city's primary election. As I walked north on Madison Ave., people on the street were standing still and pointing south. I'd no idea what the commotion was about until I'd gotten upstairs, where my editor greeted me with, "You know what happened, right?"

I didn't until he directed me to a west-facing window, told me to lean out as far as I could then look south. There, the north tower stood, with a smoking hole in its façade.

As a reporter, one's immediate reaction is to observe and report. Not knowing what lay ahead, I ran from the office to the nearest drugstore to buy a disposable camera, believing the fire would be put out, the hole repaired and the incident would become part of the city's lore, like that day in 1945 when a fog-bound B-25 bomber smashed into the Empire State Building.

The cheap camera's pictures turned out poorly, but in my mind's eye -- aided no doubt by the unprecedented media coverage -- they're crystal clear, as are the TV and radio news reports, the first-hand visual confirmation, the deepening dread as events unfolded, the not knowing which blow would be the last.

I pitched in on my newspaper's coverage that day, and on those that immediately followed.

Nearly 3,000 people died on what began as a sparkling clear September morning.

Somehow, those I knew who worked at the complex all survived, one because he found an intact stairway out of the south tower above the point of impact, another because he was fortuitously late for work. 

Among the recognizable names of the dead was someone I'd known back in day camp, where he took an arrow to the eye in an archery accident. No longer his worst day.

Arriving home in Queens that evening, I found my girlfriend awaiting my emergence from the subway. We held each other tightly, staring westward at the plume of smoke across the sky, trying to comprehend the awfulness. We watched the news, talked and slept fitfully before I woke to head back in.

The Manhattan of September 12 was nightmarishly still. Subway traffic was halted south of Grand Central Terminal. Walking the last dozen blocks to my office, through that silent, desolated midtown at what now wasn't rush hour, was an experience I'll never forget.

In the years since, I've read novels that have tried and failed to capture the feeling of that day, and tried to watch movies that nail it so well I needed to turn them off. The emotions are hard to harmonize. So I fall back on the immediate documentation.

A saver of things since boyhood, a habit or human failing that's provided the backbone for this blog, I reflexively kept the newspapers published on that terribly quiet next day, and periodicals from the days and weeks that followed.

It seemed, and still seems, wrong to discard them, wrong to diminish the record of that terrible day. For 20 years, they've been in a cardboard box, one of many in a closet dedicated to my compulsion to retain printed matter, an urge undimmed by the evaporation of tangible media, newspapers and magazines, movies, music and books.

"Time it was and what a time it was, it was a time of innocence, a time of confidences. Long ago it must be, I have a photograph. Preserve your memories, they're all that's left you." -- Simon & Garfunkel.

-- Follow me on Twitter @paperboyarchive

Sunday, February 11, 2018

Best. Fake. News. Ever. No, Really. Ever.

FAKE NEWS ain't new, but there was a time when it was fun. Good, snarky fun.

Somewhere along the continuum that started with lies, dogma, doctrine, propaganda and spin, such fakery branched off into brilliant parody and satire, the sublime talent of tweaking the real and making it ridiculous.

It hit an artistic peak 40 years ago this week with the National Lampoon Sunday Newspaper Parody, a multi-sectioned send-up of everything right and wrong with the pile of newsprint delivered weekly to doorsteps all over America and a kind of fun house mirror image of the country itself.

Done so rightly, so completely, so perfect to the last block of agate sports section type, that without close inspection, the Sunday, February 12, 1978 edition of the Dacron Republican-Democrat -- One of America's Newspapers can almost pass for the real thing.

Almost.
Mirth, satire and the comics.

Its heritage can almost certainly be traced back to Mad Magazine, born in comic book form in 1952 and transformed into a news magazine mockery three years later.  

Mad nourished a generation of cynical maladjusted kids who grew up to be cynical maladjusted grown-ups. Coming of age amid the youthquake of the 1960s, Vietnam, Watergate and the irony-ready Bicentennial, they made the world safe for irreverence.

One of them, P.J. O'Rourke, is credited with conceiving the Dacron Republican-Democrat as a kind of sequel to the NL's High School Yearbook parody (which, itself, gave rise to National Lampoon's blockbuster movie Animal House). O'Rourke's wingman in the newspaper project was future Hollywood auteur John Hughes, the man who gave us National Lampoon's VacationSixteen CandlesThe Breakfast Club and Ferris Buehler's Day Off

All for the newsstand price of $4.95
O'Rourke, Hughes and company, in the guise of deranged newspaper creators, writers and editors, skewered fame, parochialism, perversity, insecurity and thriftiness. Nothing was sacred and nobody was safe, not even good ol' Charlie Brown, ridiculed as "Ol' Weepy Whiner" in the full-color comics section. 

Starting from page one and threaded through the paper were repeated references to a fiendish local predator known as "The Powder Room Prowler," with hints the perpetrator may be the paper's publisher and moral crusader, Rutgers Gullet. 

A page one headline blared, "Two Dacron Women Feared Missing in Volcanic Disaster." The subhead: "Japan Destroyed."

Below the fold on the front of section C -- the Living Life section -- a story with the vexing headline, "Is Your Child a Dip?" On and on it went, through the sports second, the weekly magazines and the Swillmart discount store circular. Check the Scoreboard section, pictured here, for the reference to allowing ads to be place on baseball team uniforms and on the outfield grass. It was only funny because it wasn't true. Yet.


The deceptively realistic but entirely fake scoreboard page.
Real estate listings note "the famous Fazullo Murder house is on the market," and a full-page ad for the Food Clown supermarket features a 12-pack of diet Perrier for just $2.19.

Sure other parodies have been published with clever titles like Not the New York Times and the Off The Wall Street Journal and
 The Onion has since institutionalized the ingenious, but for sheer depth of depravity, it's hard to top the Dacron Republican-Democrat.

Don't take my word for it. You can see it for yourself at America's monument to freedom of the press, The Newseum in Washington DC, where the Sunday Newspaper Parody is one of nearly 400 historic newspapers on permanent display. 


-- Follow me on Twitter @paperboyarchive

Wednesday, November 22, 2017

Fall '77 Flashback: Birth of the Jock Rock Champion

STOMP! STOMP! CLAP! Stomp! Stomp! Clap! That unmistakable bleacher-quaking rhythm.
News of the World had a vertical gatefold featuring
 dying or dead band members, from the top Brian May,
Freddie Mercury, John Deacon and Roger Taylor

Forty years ago this week, "We Will Rock You" by the British glam rockers Queen perched at number 41 on the Billboard Hot 100, at the edge of certifiable hit status and on it way to immortality. Ahead of it: Foreigner's "Cold As Ice" at 39, Meco's disco Star Wars theme at 35, Barry Manilow's "Daybreak" at 23 and "Just Remember I Love You" by Firefall at 11.

The number one hit in the USA? "You Light Up My Life" by Debby Boone.

Heard any of those tunes recently?

Stomp! Stomp! Clap! 

Stomp! Stomp! Clap!

"We Will Rock You," was the first track for Queen's News of the World, released Oct. 28, 1977. The song spent 41 weeks on the chart, peaking at number 4 the week of Feb. 18, 1978. Today, it's the undisputed champ of that crowd-revving, opponent-intimidating music known as the arena anthem, aka Jock rock.

It didn't arrive alone. It wasn't even the A-side of it's own single. That honor went to "We Are the Champions."  Played in their logical order, they packed a one-two wallop virtually unseen in the post-Beatles pop era, a combination bravura and braggadocio.

We will kick your ass. We did kick your ass.

The News of the World LP went multi-platinum, selling more than 4 million copies. It also achieved a less well-documented status: the first album I ever bought with my own money.

"Buddy you're a boy make a big noise, playin' in the street, gonna be a big man some day. You got mud on your face, you big disgrace, kickin' your can all over the place..."

The Paperboy


In spring 1977, the broadsheet daily Long Island Press went out of business, leaving behind untended routes, log books, canvas bags and customers up for grabs. Newsday had become the island's dominant paper. In the demise of the Press, Rupert Murdoch's New York Post saw an opening.

Me and my best buddy across the street were recruited as freshly-minted paperboys for the sensational and sensationally inky NYC tabloid. Each of us would have dominion over roughly equal territories about a mile square.

LI Press bag, NY Post route, UK News of the World
And what a summer to deliver the Post.

Serial killer David Berkowitz, the Son of Sam, was still at large, until he wasn't. "Caught!" blared the Post front page. A lightening strike at a Hudson River power station caused a regional blackout and in that darkness a horrific night of arson and looting across the city: "24 Hours of Terror" the paper exclaimed. Elvis Presley died.

Two months later, Reggie Jackson closed out the World Series with three straight homers as the New York Yankees beat the Los Angeles Dodgers, four games to two.

Folding and stuffing all those papers into my bag was a newsprint baptism.

The rest of the neighborhood didn't feel that way. Our so-called subscribers (who'd never actually subscribed, we just started delivering) gradually dropped the Post in favor of Newsday. "It's not you," they said. They just didn't like the Post or what it did to their hands and their clothes.

My pal quit first and his turf became mine. Small consolation as my customers were quitting too. Every week I had less and less. Soon I too realized it no longer made sense to soldier on.

The Purchase


But I'd made and saved some tip money and took some of it to Sam Goody (or maybe it was TSS) to buy my first piece of 12-inch vinyl.

We Will Rock You and more, on Electra Records
... "Singin' we will, we will rock you! We will! We will! Rock you!'

I already had a collection of 45s and a two-speaker Voice of Music stereo on which to play them. But this was a whole album, my only one, and I kept it in heavy rotation. Ask my sister. Ask my parents. Ask the neighbors. Ask them about the Brian May guitar solo.

On the whole, News of the World was, well, spotty. After those first two tracks, there was a notable drop in quality. The most memorable deep cuts were the down-beat "All Dead," the encouraging "Spread Your Wings" and the embarrassingly trashy "Get Down, Make Love." Not that I had anything to compare it to.

Four decades on, its those two opening tracks that still endure. WWRY topping list after list of the best of the jock rock genre, WAtC becoming a kind of gay anthem and then, incongruously, a Donald Trump campaign song. Finally, for your listening pleasure, here they are.

-- Follow me on Twitter @paperboyarchive